Married to a Caveman

So normally I had been posting reviews of Phantom of the Opera. But, now I need to go off topic and talk about things I have had to deal with the past year or so, which explains my absence as well.
First of all, my father ended up in the ICU, I ended up having to move to where I am living outside of town about ten miles out in the country with very few neighbors and no car! I basically depend on a few and unreliable friends to get into town to get groceries or I take a cab due to the fact that this town has no other public transit!
My husband finally was able to come how (he was working overseas). By then most of my friends moved out of state, because they too hate this town.
We were finally able to get a car after about six months. With this I had hoped that things would improve. I had a plan to find a way to meet people, and hoped I would at least be able to get out for dinner once in a while. I can't drive the car for many reasons 1. I don't drive 2. It's a stick shift 3. My husband doesn't want me to drive a stick shift. Well, my husband decided that he doesn't need to take me out to dinner or anywhere unless it is to see the doctor or maybe for lunch once every nine months. I was once able to leave for a Memorial Service. Other than than, nope no where, not at all. Nor, does he think he needs to talk to me for more than five minutes every 2-3 weeks. I wish I was exaggerating, but unfortunately I am not! The only things he does is work, come home to play x-box, and then go to bed. Other than that, nothing! If I have an opinion about anything at all, especially if it's different than his I get my head bitten off. He is also an Atheist, and if I believe in anything it is alright as long as I keep my mouth shut and don't show any signs of it, so I also now (didn't when I married him) have to hide that. It is also my B-day and he decided to leave for the night, he doesn't have to say when he'll be back, where he is going or what he is doing; if I ask I am being paranoid and controlling, but I have to tell him what DVD I am watching while he is gone!
Before anyone asks, I considered leaving him, but I have cats that are like my children, I have no job, no way to get one living in the hell-hole, I have no family I can depend on. He has never laid a hand on me nor would he ever. But, I can't continue living in this situation! I feel like I am nothing and like if the few people who knew me found out if I was dead they wouldn't even care, I look forward to seeing them every 2-3 weeks they can spare 5 minutes, but they normally cancel. I live with someone (my husband), but I feel more alone now then when he wasn't here. I also feel like all these people must think I am not human, because I can't see treating a human being like they can be thrown away like this. I seriously need advice and can't find another place to ask it. I am not even allowed to leave to talk to a religious leader for help, and this is a small town, so talking to anyone else isn't even possible! I am feeling seriously trapped and suffocating and am starting to worry about my well-being.

Phantom of the Opera [1998]

Phantom of the Opera [1998]:
01). The Phantom… Julian Sands.
02). Christine Daaé… Asia Argento.
03). Baron Raoul de Chagny… Andrea Di Stefano

`Completely out of the blue I got a copy of Dario Argento’s Phantom… So here is goes. Oh, horror of horrors! I can’t believe I am doing this… I had to set it up quickly so there is going to be very little time for a set up. One thing with this movie Julian Sands refused to be deformed in this movie, so he wears no mask whatsoever. They say that in this version he is deformed on the inside. Also, this movie has very little plot to me so I am hoping that people will be able to keep up. If not you should be able to IMDB the plot. Because it makes no earthly sense to me, this is probably the worst Phantom movie ever! If you ask why I decided to finally review it, it is because I am bored to death, have nothing else to do and I found a way to watch the movie for free. So I decided to review it and add it to my collection.

Medusa Films… does that mean if we look at it we will die? “The Phantom of the Opera”… um, no it’s not! Ennio Marricone is actually quite a good composer (The Untouchables and many other notable movies) how did he end up doing this?! At least I know the background music should be good.
The scene begins like Batman Returns (which is actually a movie I did like, so it annoys me a little). Large rats, and the words “Mysterious bond between child and inhabitants of the darkness” appear as the cheesiest line and it makes me laugh. His mother throws him in a basket, as a baby, and sends him down the River Seine. Then we switch to some years later in 1877.
We are now at the Paris Opera House. The well scene that makes no earthly sense, they apparently unearth the Phantom and he kills them. I believe that my Erik Plushie is going to rightfully Punjab Lasso me tonight… who could blame him!
Christine comes onto the stage and begins to sing. Why is Christine walking around the Opera in a see through top? We see the phantom for the first time. Horrible wig!
Note: Dario Argento casted his daughter to play Christine in this movie and directed her in it as well.
The Phantom talks to Christine for the first time and she seems to be taken with him. Apparently the phantom is able to invade her mind with his thoughts. The dialogue here doesn’t make much sense to me.
The Phantom is controlling the motions of the rat-catcher, making him put his hand in the rat-trap. Somehow this Phantom has special mental powers, which is something I just can’t get into. He is suppose to be a genius not supernatural.
Christine gets flowers from the demoted Baron Raoul de Chagny who is actually supposed to be Vicomte Raoul de Chagny. At rehearsal Christine watches Carlotta singing Carmen and she talks to the Phantom’s voice in her head, then growls like a dog at Carlotta. The Phantom then summons her. Christine meets with the phantom and he admires her “female smell”! Worst line ever!
We scan the camera upwards were a stage hand watches them. He follows the Phantom for a little while then he goes and tells his girlfriend about it and claims to be a hero for following him.
There is a man walking around the Opera collecting information about him, is this suppose to be Gaston Leroux (because he works for the paper). If so, why did this actually interesting touch have to be in here?
The stagehand and his girlfriend talk of trying to go into the catacombs because of supposed treasure down there. I was distracted by the nice touch of a post talking of ‘La Semaine Sanglante’ or ‘The Bloody Week’ of the Commune. I do have to admit the nice touch of that there.
We finally meet Baron Raoul de Chagny, who is rather frightening looking, to me at least. Christine admits that she doesn’t love him and would allow Raoul to be the brother she never had. This was the first seen that wasn’t actually too bad.
Then we are back to the treasure hunting couple. There are close-ups of many bugs and rodents that creeps me out. SPIDER! Why, do they have to add this? I am fine with rats just not worms and spiders! The guy gets captured by the Phantom and there is this line: “I am not a Phantom, I am a rat!” never heard a truer line. The Phantom then kills Alfred (finally caught his name). The girl finds his body and tries running away. Then she notices her footsprints after trying to hide. She begins to get rid of them. Soon, the Phantom finally catches up to her. As she screams she sticks her tough out and he bits it out. EWW! I had to turn away for that.
Monsieur Buquet, who has risen in class, was frightening ballet girls with stories of the Phantom. Christine comforts them and the maid yells at him for it, before listening to what stories Buquet had to tell.
On the roof of the opera the Phantom thinks of people caught in a rat-traps. Then he thinks of Christine apparently surrounded by her hair or seaweed can’t really tell. This is another pointless scene.
We flip to Carlotta with a sore throat, and the managers talking about having Christine sing instead. Carlotta shrieks at this idea. Later Christine is singing in rehearsal. She is apparently overtaken by emotion and passes out. She is taken to her dressing room where the Phantom is there as well, after everyone leaves. Raoul listens in through the door. In a scene that for the first time resembles the novel. But, you can find it in the cartoon version. Which is less stressful to watch and the rest of the story resembles the novel more. Raoul then invades her dressing room after she leaves, lighting a candle to look around.
Then we now have Jerome (?) de Chagny, Raoul’s brother, who is originally called Philippe. Finally his brother shows up. He offers to take Raoul to cheer him up and takes him to a bath house. I hate this scene. Here Raoul, the “hero” of the piece acts worse the in the villain in the original story. Correction: Worse than the villain in the other horror version of Phantom. The one with Robert Englund and it is suppose to be very Freddy Kruger in style. It makes no sense. He also imagines that one of the women there is Christine. We also have some very bad acting.
We then have a scene in which a guy is chasing one of the ballet girls, and then the Phantom kills him and tells the girl to go home. She returns to the ballet room, where she gets reprimanded for telling lies when she tells the truth.
Christine then walks into her dressing room where the maid is getting stoned. Christine has a large dove on her head. I just needed to put that in there. Then the Phantom in a psychic-like way calls Christine to him. I have to admit, that I really like her dress in this scene. She almost gets run over by the rat-catchers in their new rat-catcher-mobile trying to catch more rats. The music is rather cheerful for the scene. Unfortunately it doesn’t last long; they get into an accident and are killed.
This Phantom is the opposite of a gentleman. He makes Christine row the boat to him instead of doing it himself like in the original; or even providing a horse for her to ride instead of walking the long distance. Very un-gentlemen like.
His lair isn’t too bad though, probably the largest pipe organ I have seen in phantom movies (get your mind out of the gutter!) “Sing for me!” He said, and I start hearing a good Phantoms in my head, ah Michael Crawford or anyone except him. Christine is almost orgasmic as she sings.
The next scene is her lying naked in bed and the Phantom leans over her naked as well. I don’t like this scene; it is just annoying in many ways. He talks about his double nature as they lay together, does this mean he is a Were-rat? This might explain some things. What I don’t know, but it might help.
The Phantom tells Christine to stay there as he is planning to make sure that Christine is going to take over for Carlotta. She tries arguing but he forces her to stay. The Phantom then speaks to Carlotta from behind the mirror as he tries to threaten her to get her to step aside. Instead she blames one of the men in the room. After hearing someone call to her she goes to the costume room. The Phantom then threatens her physically to step aside. She doesn’t listen. He has also sent a threatening letter to the managers.
We then have the Phantom shirtless chopping down the thing holding up the chandelier, which is more reminiscent of a lumberjack then a phantom. He does this as Carlotta performs on stage. The ceiling starts to crack and then the chandelier comes crashing down. Then a prop falls down onto Carlotta, still not killing her! Out of curiosity how is Christine suppose to perform if she is being held captive by the Phantom? So why do all this destruction, due to Carlotta performing after you have told Christine to stay put? They can’t put Christine on stage instead of Carlotta if they can’t find her you moron! Isn’t the Phantom supposed to be a genius not an idiot!
Then he returns to her to tell her the role is hers, she says she doesn’t want it. He then proceeds to rape her. A). I hate this idea because this did NOT happen in the original, nor is it something that should be there at all! B). this is Dario Argento’s daughter!
The next scene is another horrible one. Apparently Christine just doesn’t do it for him because, she watches him secretly, in a scene in which the Phantom seems to have sex with the rats! No kidding! That is all I am going to say other than OMFG Ew!
When he is done Christine has disappeared. Do you blame her?! He is (psychically, I think) able to see where she is running to. She runs into Raoul on her way out and gets away. She takes him to the roof and tells Raoul all about the Phantom as the Phantom listens in. The maid comes and gets Christine to rehears for Faust because of what happened to Carlotta.
At the performance apparently all the victims of the chandelier crash were compensated with free seats to the opera because all the wounded people were there at her performance. I love theatre and opera, but if a chandelier hit me, I would not be returning to the theatre that quickly! One of the rat-catchers survived the accident, and was making his way to the performance. He shows up on stage and calls her the Phantom’s whore. Then the Phantom jumps onto the stage all Batmen-like and takes Christine away. Then we have some more bad acting.
She is passed out and when she wakes up she hits him on the head with a large rock and proceeds to scream for Raoul, who is following them. Afterwards she apologizes to the Phantom for hitting him and they begin to leave together (make up your bloody mind!) Raoul finds some guns down there. This actually makes sense considering the year is 1877; they were probably down there because of the Paris Commune.
Soon Raoul catches up to them and shoots the Phantom. Then the Phantom says that if they catch Christine they would kill her (why?) and he turns to Raoul and asks him to help her. He then sends Christine and Raoul away in the boat and Christine screams for him. Why she cares for him I don’t know. He is then shot five more times and is still fighting. Christine is still screaming for him. Then he is stabbed and falls into the water. We end on Christine crying, and me hoping that Captain Jack Harkness will walk in the door with a forgetting pill.
If you have any desire to see this I recommend watching the Phantom Reviewers review of it, it is far better and has comedy in it that makes it worth seeing that way. The worst part is, is that at the end of this movie Raoul and the Phantom work together to save Christine (even if for a brief moment). I have this theory that if they had Raoul and the Phantom work together to rescue Christine and Gustave at the end of Love Never Dies, it might improve this a little. It is sad that an ending similar to the Dario Argento movie might improve Love Never Dies, but only a little.
I don’t know what I will review next possibly the Wishbone episode I got my hands on that one a while ago, but just haven’t watched it yet. In regards to this one I highly recommend staying away from it. If you like the movies to be horror watch the Robert Englund version it is far superior.

This year sucks!!!

It has been one thing after another for me this year. First, one person isn't talking to me. Then, I worry about a friend's situation that lives far away. Next, my father ends up in the ICU. Then, I was suppose to start school but they don't notify me of something changing so then I can't start school.
So, the only thing that was getting me sanely through this was knowing that I had a vacation coming up. I had planned on seeing The Phantom of the Opera in Atlanta on the last weekend in July. Well, guess what... cancelled1!!! I didn't cancel it, but someone else did. Apparently I am not getting a break at all.
The worst part about this is, I can't just wait for it to come around again. The tour is closing this year. They announced that it was the farwell tour this time around.
It is my personal belief that they are closing the tour to make room for the tour of the horrible sequel Love Never Dies. So I blame Andrew Lloyd Webber for this.
I am in the works on trying to get more tickets, but I am also having to change hotel reservations and many other things as well. I can't believe this is happening. I just wish this year would be over with.

The Phantom of the Opera [1989]

************************Warning*********************************
This is a horror movie. I just wanted to warn you about that.
***************************************************************

The Phantom of the Opera [1989]:
01). Erik Destler… Robert Englund
02). Christine Day… Jill Schoelen.
03). Richard Dutton… Alex Hyde-White.

A lot of people may think me crazy for this one being my favorite. Especially considering not long ago I despised it. I had seen it well over ten years ago, and was not a fan of it. It was also my first ever horror movie so that was a problem as well. I re-watched it recently and found that I loved it. It is amazing how time can change things.
The story begins during modern day New York, and a singer named Christine Day is looking for an original audition piece (which will actually help her, especially if she sings something original instead of the common songs, which shows they know what they are talking about). Her friend Meg finds something old and incomplete called Don Juan Triumphant by Erik Destler. Meg attempts to find the rest of it, and Christine sings a piece of it but blood comes out of the music. When Meg returns the blood is gone.
Christine goes on the audition walking by a poster for Les Misérables. She would actually make a good Eponine, I think. As she sings she seems to be seeing vision of the past, and then a weight for the sets swings down hitting her and breaking a mirror.
We are then transformed back to 19th Century England, and we hear the Phantom for the first time saying “Christine… come back to me!” I love hearing Robert Englund as Erik his voice really is perfect for this. When she wakes (still back in the 19th Century) we are at a rehearsal for Faust and she is playing the role of Siebel. I love this touch because that is the role she was playing in the original novel before getting the role of Marguerite. They send her to her dressing room to rest after getting hit. While their Erik starts to speak to her and give her the lessons and has her practice the role of Marguerite. This really is how I imagined their lessons to go.
Then we have the stagehands talking about the fact that Joseph Buquet was at fault for the accident because he was paying too much attention on eyeing Christine instead of his job. Joseph Buquet then blames the Phantom for it and takes a drink from his flask. When Joseph Buquet is alone he is confronted by Erik. Who says a few wonderful one liners (very Freddy like) then proceeds to kill Buquet and skin him.
A few things to keep in mind for those who don’t know and have been living under a rock! Robert Englund’s best known role is Freddy Krueger in the Nightmare on Elm Street movies, the original ones that is, not the re-loaded. That’s Jackie Earl Haley who I think will do a phenomenal job. That should also tell you the style of movie this is so be prepared. The gory aspects of this movie are not from the original novel, but I will get to that later.
After killing Joseph Buquet, he goes back to his lair and we have a scene in which I have issue watching. He begins sewing flesh on his face to cover his own deformity… Ewww! But, hey he has no nose! So that is a positive. He also does use an artificial one, another positive. He uses a previously lit match to create darker eyebrows. This really doesn’t work… I tried it. I was hoping to find a more natural looking eyebrow because I really don’t have any!
Soon Joseph Buquet’s body is found in Carlotta’s closet. This Carlotta is really a prima donna. But Stephanie Lawrence is also known playing the role of Evita as well. So I am guessing she does her own singing in this. This is actually really good, what little we hear of it that is. Because of being so disturbed by the body of Joseph Buquet, Christine has to sing the role of Marguerite. She does well, I think. Erik watches her with excitement. I like this because just sitting or standing still when watching his prodigy go on stage never made much sense to me. He almost stands up to applaud and then sits back mouthing the word “oops”. This is a touch that I love.
During the performance of Faust we also learn a little bit about Erik himself. Apparently long ago (but how long it is unclear) he made a pact with the devil for his music to live on forever. Recommendation always read the fine print before making a pact with the devil. His music is unknown and he is the one living forever. This is a very Faustian version which actually does work well in Phantom stories. Before leaving the box Erik leaves a rose and a tip for the box keeper which is a nice touch and taken from the original novel, again!
When exiting the theatre Erik is approached by some prostitutes, he ignores the first one, but the second one who resembles Christine he offers his arm too. At first I thought this was ridiculous, but then the novel does mention (before he begins training Christine that is) that there were roses from a woman’s bodice and fan left behind in his box, so maybe he did seek company. The first time you see this movie you would also expect her to be dead by morning. That is not the case before she sees the money he left behind she has a big grin on her face.
After her performance Christine goes out to dinner with Richard Dutton. He admits that he had the intention of proposing to her. But, she says the she wishes to concentrate on her career and talks to him about her “voice teacher”. This is closer to the conversation in the novel.
Also Erik is in a dark corner of a bar working on his music and gets bugged by some of the other patrons. When Erik leaves they follow him with the intention of robbing him. Erik defends himself by using a whip to wrap around the neck of one of the robbers then beheading him and using the head to “bowl” with. He then goes after the last man (Mark Ryan) and they exchange some great one liners. Mark Ryan is actually quite a nice man I meant him when I was in L.A. He then gets out a surgical knife to begin skinning them as well.
The next day Christine is slightly hung over and Meg shows up with her review. Christine reads it and it is a horrible one. The person who wrote the review was actually paid off to do so. Because of this Erik visits the reviewer in the bath house and offers to give him his box to see Christine perform again the reviewer says that he would rather die. Erik of course obliges by killing him with a towel.
Christine leaves to go and visit her father’s grave. Richard follows her as well. While she is there a violin is overheard and Erik is playing it. He tells her to follow him. She does so. Richard tries to stop her but she chooses to go with Erik. This scene is one of the most beautiful and rare scenes in Phantom. We have the graveyard scene in the 2004 movie, but they illuminate the violin from it, which I think is a bad decision. The imagery of him doing this is rare, but to me iconic.
Erik takes Christine to his lair, and shows her around. She finds his Don Juan and asks him to play it and he refuses. The exchange is quotes from the novel. This makes this the only movie to have these. Finally he plays the music for her and she begins to sing it, even though the words are not written yet. If you look closely you can see tears coming out of his eyes. Erik then gives Christine a ring that she is to never remove from her finger saying she is now married to music.
During this Richard Dutton speaks with one of the policeman (an Ahab if anyone gets that) who has been investigating Erik for some time and says the only way to destroy him is to destroy his music. He also shows Richard photos of the skinned bodies.
Richard goes to visit Christine but she refuses to see him, she does slip him a note saying to meet her at the masked ball. She is also having troubles getting the ring off of her finger.
At the masked ball Richard and Christine meet and discuss getting out of there secretly. Richard then leaves to get his carriage. Erik has over heard this and is dressing like Red Death, the first Red Death showing up in Phantom movies since Lon Chaney. He dances with Carlotta, which is actually a cool image. Carlotta wishes to see his face so he takes her to a secret room and shows her as she begins to scream the scene shifts back to the masked ball. Soon food is being served and in the soup dish is Carlotta’s head creating panic.
We are now at the final chase of the movie, Richard, the policeman, and shown the way to the Phantom’s lair by the Rat catcher. They take a few more policemen with them and they of course are killed by Erik on the way. Erik also quotes one of the greatest quotes from the novel “The Requiem Mass or the Wedding March… the choice is yours!” Eventually Richard and the Policeman make to Erik’s lair and Erik kills them both! Wait! He dies in this version! The Raoul character does! I actually like Raoul, so I am not going to cheer for this, though some may. Christine finally fights back and shoots Erik and breaks a mirror. I don’t know what actually happens because we then go back to modern day New York.
Christine wakes up from being knocked out and is informed by the producer that she got the role. The producer is none other than Erik. He takes back to his home for him to change and take her out to dinner to celebrate. He goes to his room where he fixes his face, and she discovers his Don Juan. She recognizes it and when he shows back up talking to her the way he did in… The previous life? The alternate life? I don’t know. He says “Now it is just a matter of what you choose… love or music.” This is actually my ringtone. She reaches up and kisses him and his face is so content. The she reaches back and rips off his mask. His deformity has gotten much worse reminding me of Dorian Gray! Oddly enough is another theme that works well with Phantom, weird. She then stabs him and steals his music burning it and destroying it as he cries out. She still has some of it though and tosses that into the sewers. As she walks away a violinist begins playing the Don Juan. The End.
This movie departs from the novel greatly, but at the same time has the feel of it better than any other version. Robert Englund gets Erik down pat! He gets that he isn’t stoic and has a lot of passion. His voice also matches quite well even though he doesn’t ever sing, but he dos play the violin. The music in this movie is very good as well.
I also like some of the things Robert Englund himself has said about this movie. “A person is free to be themselves when they are hiding behind a mask.” Also “Women are attracted to Erik because he is passionate about music and that is sexy.” He also has said that cashing the paycheck for this movie was the most fulfilling of all the movies he has filmed. He also is proud to be among the ranks of Lon Chaney, Claude Rains and Herbert Lom. Listing them in chronological order, and has also mentioned reading the original novel in High School, which I have a lot of respect for. I also have an autographed photo of him in this movie which he signed (on his own) Erik, the Phantom… Robert Englund. So I might be added these to my love for the movie. But, I don’t care. I highly recommend this version especially if you like horror movies or are a fan of Robert Englund or the Freddy Krueger movies. Well that’s all for now. I have no other ones to review at the moment.

The Phantom of the Paradise [1974]

The Phantom of the Paradise [1974]:
01). Winslow Leach, The Phantom… William Finley.
02). Swan… Paul Williams.
03). Phoenix… Jessica Harper.
04). Beef… Gerrit Graham.

The story is of a composer who has his music stolen by the devil. Who goes by Swan in this. He tries to go after Swan but get caught and thrown into jail where his teeth are all pulled out. He then hears the announcement of his music to be recorded and escapes jail. He tries to destroy all the music but gets his head crushed by a record… thing of the bobber. As he walks around there is this strange Darth Vader like breathing… only the thing is… this is before Star Wars! So it’s not a rip-off.
He then begins to haunt the Paradise. He then meets Swan again and makes a deal with him. He will finish Faust as long as he has control over it. They hold auditions for it again. He hears a woman he had meant earlier… Phoenix. He says that only she is able to sing his music.
Swan helps the Phantom figure out a way to speak because he lost his voice in the accident. They rig up a voice box for him to use.
Soon, Swan has Phoenix moved from the lead to the chorus, and hires a new lead a man named Beef. That is one thing about this movie, really strange names… mostly named from birds apparently.
Beef is sort of the comic relief. The Phantom is not pleased with this and so he threatens Beef to not sing his music. At first Beef listens and starts to leave, but they convince him to stay anyways. While performing Beef gets electrocuted by his guitar. Hey, I just saw an episode of CSI with that. Maybe they were watching this movie.
Phoenix then takes over and the crowd loves her. Soon she is wrapped up in the life of a rock star. The Phantom continues finishing Faust and Swan plans to have Phoenix assassinated onstage because that creates more publicity.
The Phantom learns of this plan by watching some videos some of which involve Swan’s deal with the Devil so he could be young forever, and his true face only show up on pictures…. Apparently he is Dorian Gray! Phoenix also has a deal with Swan aka Dorian Gray as well.
Once the Phantom learns of Swan’s plan he hurries in to save her as well as burning the tapes which will destroy Swan. He stops the assassin, saving Phoenix and then the Phantom rips off Swan’s mask revealing his face that is burning away…. Wait! The Phantom rips off someone else’s mask? That a switch! Anyways, his own mask then gets ripped off and the crowd begins climbing onto the stage. Do they have no security there? How does the crowd not see that people are dying? Oh, well. Soon Phoenix recognized the Phantom as Winslow. She goes over to him as he dies.
So far, this movie is only okay…. Not really to my taste especially in music. Faust isn’t too bad though. I do like Winslow’s costume in it. Most of the other characters in it are driving me nuts! Though Beef is rather comically in his own way. Phoenix’s voice is really nice.
I know I left out a lot but this is only my first viewing. I hear that this movie gets better the second time you watch it, because you know what type of movie it is that you are getting. I do plan on doing this, and do actually hope to like it better. I know that there is a following for this movie. There is also suppose to be a remake of it coming out this year. So I guess we will see what happens.

The Phantom of the Opera [1990]

The Phantom of the Opera [1990]:
01). Erik Carriere, The Phantom… Charles Dance.
02). Christine Daee… Teri Polo.
03). Gerard Carriere… Burt Lancaster.
04). Philippe de Chagny… Adam Storke.

This is probably one of my favorite Phantom movies of all time! This movie introduced me to Charles Dance and Teri Polo. Most people know of Teri Polo from Meet the Parents, but I knew her long before because of her role as Christine. Another great thing about this movie is that it is the only Phantom movie to actually be filmed at the Palais Garnier! This is also one of the few movies that have been approved by the Leroux estate. It also has a stage production as well done by Maury Yeston and Arthur Kopit, which I highly recommend seeing at some point.
We start out with Christine showing up at the opera hoping to get singing lessons. She is obviously poor, and has no money. She was sent there by the Comte de Chagny, Philippe. She is told that the old manager, Gerard Carriere has just been let go.
Gerard Carriere the old manager of the opera tries to convince the new managers of a Phantom of the Opera residing in the opera. The new manager doesn’t believe him, but is still frightened by a falling statue. Gerard then goes down to the cellars and tells Erik of the fact that he has been let go.
One of the things I love about this movie is that Erik is so sarcastic in it. This Erik is also a much nicer Erik. But, the story seems to make up for it, by giving us Carlotta, who is completely tone deaf. She does not know this nor does her husband who is the manager. Erik notices immediately and threatens (in a joke) to have her killed.
Later Erik overhears Christine singing. She is living in the opera and has been made a costume girl to Carlotta. Erik watches her singing on stage from box 5. It is one of the beautiful scenes in this movie.
Erik watches Christine as she does her job as a costume girl. When the day ends he speaks to her from the orchestra pit while she is on stage. He offers to give her singing lessons but he will wear a mask to hide his face because he doesn’t want her to know who he is. Too bad the Leroux Erik didn’t do this. It may have made things easier.
He gives her the lessons and she improves during it. Carlotta has her Paris debut, which goes horribly wrong due to itching powder in her wig, thanks to Erik. The scene is rather comical actually. During her second performance he “glues” the glass she needs to the tray and that ends up being comically and she is laughed off of the stage. I also noticed the shoes she wears is the same pair Christine wears in the stage production during the Music of the Night scene.
Next Philippe shows up at the opera returning home from business early to find out if Christine showed up. He finds out she is a costume girl. He is also greeted by many other women of the Opera as well. He announces hosting a the company at the bistro that night and invites Christine to show up.
Christine tells Erik about it, and he insists that she goes to sing since they are not holding auditions it is the best way for them to hear her. He provides her with a beautiful dress to wear. When she shows up and sings Carlotta joins her, much to Erik’s annoyance. Erik is listening in from outside. This is actually one of my favorite scenes. The dueling diva’s is something that is really fun to watch, especially Carlotta giving up and leaving Christine to sing.
Philippe introduces Christine to Gerard Carriere and he tells her she reminds him of someone he once knew. Christine then leaves the Bistro with Philippe and Erik watches from the shadows; instead of looking menacing he looks heartbroken.
He then waits for Christine in the ballet hall. Carlotta waits for Christine in the room she was staying in. Christine goes to the Bois with Philippe and he asks were he knows her from. She reminds him that she and her father were servants at his old home.
When Philippe returns her to the Opera she goes to the ballet hall and sees that Erik is no longer there waiting for her. She rests her head on the piano sad for having left him there alone. She returns to her room were Carlotta questions her about her teacher. Christine gives just enough information for Carlotta to realize who it is.
Cholet (the manager) visits Christine and tells her that he is giving her the role as Marguerite in Faust. Later Christine tells Erik about it. He is proud, but still hurt. Christine apologizes about not having meant him and say that she was with Carlotta celebrating. She then immediately admits to lying and says that she is sorry and hugs him for helping her. Erik doesn’t seem to know how to react.
When Christine is getting ready for her performance Carlotta visits her acting as a friend, she gives Christine something to drink to calm her nerves, and instead is poisons her making her loose her voice on stage. When she gets boo-ed. Erik cuts a rope and drops a chandelier onto the auditorium. This ends part one of the mini-series.
One of the things I find interesting in this one is the relationship between Erik and Christine. Since they are face to face so to speak, they are able to develop the relationship better. So you can see why he falls for her quickly and why she cares for him. It is also interesting that Carlotta seems to serve as the bad guy in this as well as the comic relief. I also find it interesting that this movie they seem to get the ages of the characters right as well. Charles Dance was about 50 when he made this and Teri Polo about 20. So the ages seems appropriate to the characters. I liked that little touch. Not much else can be said so onto part two.
Erik has taken Christine off-stage and is taking her with him to his lair. Gerard and Philippe are looking for her. The scene of Erik taking Christine across the lake is rather nice. I also notice how he moves his cloak. They got the details so perfect it really does seems like he is an experienced cloak wearer. The detail on how he moves the cloak at certain times is the way you move a cloak that you use often and do not wish for it to get dirty or damaged. Or they way he is un-shocked by it getting hung up on the punting pole as well.
Christine falls asleep and he carries her to a bed so she can sleep, he sings a lullaby to her (Laissez-moi if anyone knows it). There are policeman now searching for Christine as well. They overhear Erik singing to her and continue searches. Soon they must give up and start returning to the opera, a policeman goes missing. They find his body hanging and one of them grabs a rope to brace himself and something (sorry not sure what) swing down and kills him as well.
Erik goes back up to the opera and learns that Carlotta poisoned her and then goes to Carlotta and dumps a suitcase full of rats on her saying: “Rats for a rat”. This is actually rather nice of him considering many other incarnations of Erik would have done much worse.
Christine wakes up and looks around the lair. She finds a dress there and changes out of her costume into the dress. Erik provides such nice clothing. He has phenomenal taste. She also finds a portrait of a woman there, which highly resembles her. She also finds a doll without a head. This makes no sense to me whatsoever!
Gerard then goes down to the lake and tries to convince Erik to let Christine go back up to the opera. Erik refuses. The feel of this confrontation really reminds me of the feel of the confrontation between Erik and Daroga in the original. Erik states that if they come down after him his defenses will be up. He is preparing barrels of explosive to protect himself from this happening.
Erik continues his work and Gerard goes and visits Christine. He tells her Erik’s name, and why he wears a mask, and that he is Erik’s father. He also explains that her looks and voice remind both him and Erik of Belladova, Erik’s mother. Now, opposite to many other versions of this story Erik’s mother loved him greatly and thought his face beautiful, instead of the normal story. This is why he reacts this way to Christine, now there beautiful relationship is actually kind of creepy. I wish they didn’t add this fact into it. In the original he loves Christine because of her voice, her beauty, and her soul. End of story. Gerard also explains that he has known nothing outside living in the cellars of the opera his whole life. Nor does he know that Gerard is his father. He tries to get Christine to leave with him, but she refuses. She believes that she too can look on him with love.
Gerard leaves and Christine goes to find Erik. He is in a room playing the flute. Now they chose the flute in this version because Charles Dance himself plays the flute. When Christine enters the room he stops and puts on his mask. He then takes her on a picnic in a room he created to look like a forest he calls it his “dreamery”. Can someone please explain this conversation, if they can understand it because I can’t?

Erik: I call this place my dreamery, do find that apt?
Christine: Yes.
Erik: Well apt to what?
Christine: Well apt to what you wish.
Erik: Rightly so.

What the hell was that about! It makes no sense that I can figure out! Are they trying to say that Erik’s sheltered life made him incapable of speaking properly! Someone please explain this to me! I will try to move on now.
Christine talks Erik into showing her his face. He finally agrees and removes his mask, but she is unable to look at him and she faints, he begins crying then screaming and begins to destroy his home. This is probably more heartbreaking than any other version because he willingly shows her his face, she gains that trust in him, and then destroys it.
When she wakes she tries to run away but he grabs her instead. She eventually escapes and he chases her through the labyrinth. But she gets away and finds Philippe and Gerard talking to each other in the rotunda room. Philippe and Gerard take her away from the opera.
They take her to Philippe’s home, where she confesses what happened to them and her regret at leaving Erik alone, and her wishes to return. Gerard leaves to visit Erik and Philippe watches over Christine.
She convinces him to let her return to sing for Erik once more. She uses this to let Erik know that she is sorry. Cholet uses this opportunity to try and catch the Phantom.
Gerard finally tells Erik that he is his father. Erik seems to have already known this. Erik is now dying and wishes to be buried deep so no one can find him. He tells Gerard to come back in a day and that he wishes to die alone. Now, one thing that I liked is that the mannerisms of Charles Dance and Burt Lancaster are very similar in this movie. They way a father and son should be. When you watch this movie knowing that they are father and son it is easy to pick up on.
Gerard returns to the opera and listens to Christine singing. Her voice echoes in the cellars where Erik is able to hear her. He slowly makes his way up towards the auditorium. It takes him the length of the third act to the final trio in Faust to do so.
When he gets there it is the Prison Scene and Christine finally sees him in the box and sings to him “Yes, it is I that love you.” He returns singing to her Faust’s part. Everyone is shocked but they continue until the end of the song. This scene is probably the most beautiful scene in all the phantom movies combined! I can watch just this scene alone over and over again. I must give credit to both Charles Dance and Teri Polo for being able to pull this off so well, also to the people actually singing these parts Michelle LaGrange singing the role of Christine/ Marguerite and Gerard Garino singing the role of Erik/ Faust.
When the scene ends the policeman shoot at Erik, who jumps out of box 5 and onto the stage he grabs Christine and takes her up to the roof. Everyone follows. Erik and Philippe fight up on the roof and Philippe is almost knocked off. Christine begs Erik for Philippe’s life and Erik pulls him back up. He is now surrounded and they wish to take him alive. Erik turns to Gerard and nods at him, Gerard points a gun at him and shoots. Erik falls to the second level of the roof and Christine runs to him crying. She removes his mask and kisses him on the forehead. Erik then dies in Gerard’s arms. Philippe and Christine walk away with Christine’s head resting on Philippe’s shoulders. The end.
It is very difficult to explain this version of the story because it is a mini-series there is so much to it. One of the things I did not mention yet. It how each character is affected throughout the movie. Philippe being one of the major ones, at the beginning of the story he is obviously a bachelor and likes to drink and party (I also get this from the stage production in which he is called the “champagne king”) but once Christine is in his life, he settles down and his love for her is all that matters to him. He also is perfectly willing to risk his life and change it for her.
The person I feel sorry for the most in all this is Gerard Carriere who has to kill his own son to save him. Otherwise Erik would have been put on display. In a situation like that death is the only choice to save someone. There are so many other details in this movie it would take forever to explain. So I recommend that you find and watch this movie! If you don’t know anything else of the story of Phantom other than Andrew Lloyd Webber’s version and wish to find another I recommend starting with this one. This Erik is far more likable then the Andrew Lloyd Webber version as well. Another thing about the Charles Dance Erik is that he is the only one that I know of that can successfully pull off a puffy white shirt. I don’t know what it is, but he can.
Next I will be going out of order again and watching the Phantom of the Paradise. I just got my hands on a copy and have not seen it before. I hear the music is good. After that I have only one other left and it is my favorite version of the movies. Surprisingly.

Angel of Music [2009]

Angel of Music [2009]:
01). Eric/ Erik… Doug Kisgen
02). Kristen/ Christine… Lisa J. Mader.
03). Raymond/ Raoul… Jordan Baranowski.
04). Persing/ The Persian… John Redmond.

I have having to interrupt my normal order of reviewing do to the fact that I managed to lay hands on a copy of the movie “Angel of Music”. This isn’t a normal movie, but a student film actually. It was actually very well filmed. I was amazed at the quality of the sounds/costumes and CGI in it.
The story of it, is a sort of Phantom of the Opera meets The Da Vinci Code. It takes place modern day, but flashes back to when the novel originally took place. There is a cult surrounding the story of Phantom and trying to either protect or destroy the bloodline, it isn’t clear until the end that they are destroying it. Why I am not to sure of, they never give a reason.
The modern day story is extremely shaky, doesn’t make much sense at all. Which is unfortunate because it is the story that dominates the movie. The flashbacks to the original novel, are actually quite good. I really enjoyed seeing those. Especially the scenes that never have made the film before.
It is unfortunate that he didn’t keep to the original story to begin with because otherwise it would have been truly phenomenal. It would have been a must see and have for most phans. I do need to say that they get bonus points for including the Persian in this movie. We also never see Erik’s face in this movie, which is fine. The Charles Dance movie does the same thing, and doing the deformity the way it is suppose to be is not an easy task.
This is not one of my favorite Phantom movies. There are a lot better when it comes to story line. But, this one still beats Love Never Dies, by a mile! It does remain true to the characters in the story. Actually all that they would need to do to have it make more sense is to add a supernatural element to it… “Have Erik of actually been born of a Fossegrim (and old legend that possibly inspired the Angel of Music legend) and they are trying to protect his bloodline because of that. Just that little bit would of improved it a lot.
Also, I am extending these reviews this month because of the opening of LND I am watching as many of the movies as possible. Just my own personal thing. I will also be added to the list another one in which I have not seen but has been around for a while… The Phantom of the Paradise. It is actually suppose to be good and have a decent cult following, if you know what it is you are watching.